Wednesday, 17 January 2018
Comparing the lighting displayed
Imagery showing the difference between the original usage of lighting being transformed by LSD battery lights. Both give compare differently towards the colours used the blue hinting coldness whilst the normal lighting of the room gives a warmer expression.
Display of reconstruction for deconstruction part 2
Primary images, showing the final display of the reconstructed objects. Heavily influenced by deconstruction sculptors Cornelia Parker and Damian Ortega.
Friday, 29 December 2017
Deconstructing objects
These images ( by Alana ) show the process of taking the bread maker apart and all the components within the machine itself.
Thursday, 30 November 2017
Fourth drawing/illustration the perspectives and the object
Primary image showing vigorous usage of lines, these are two drawings A2 in size which have been connected using both masking tape and continuous lines which are created to become a 3 dimensional object this focusing on many perspectives forming from the reconstructed object.
Presenting the object
This is how the object was placed, showing several angles which represent the work as being natural. The artist who has inspired this sculpture is Cornelia Parker.
Tuesday, 21 November 2017
Varies perspectives
These primary images show different perspectives created from observing the object through several angles, expressing the use of natural textures, destruction and tonal aspects.
Tuesday, 14 November 2017
The Final Product
These images show how the object is now being displayed, giving techniques of both weaving and shaping. Focusing on motion and the form how it links together into a space.
Friday, 3 November 2017
Reconstructing a form of space
These primary images show my first attempt of constructing a form using the deconstructed materials of the orange crate, it has proven to be a challenged but having found a method to construct each piece together it has become a lot more simplistic.
Monday, 30 October 2017
Quick sketches of forming the orange box
These are quick design maps of what I can see with the materials used, the wood is thin and can twist in all angles so I was testing out making a sculptural piece showing form and function.
Thursday, 26 October 2017
Air and Angels
Twice or thrice had I loved thee,
Before I knew thy face or name;
So in a voice, so in a shapeless flame,
Angels affect us oft, and worshipped be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is,
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid love ask, and now
That it assume thy body I allow,
And fix itself to thy lip, eye, and brow.
Whilst thus to ballast love I thought,
And so more steadily to have gone,
With wares which would sink admiration,
I saw I had love's pinnace overfraught
Every thy hair for love to work upon
Is much too much, some fitter must be sought;
For, nor in nothing, nor in things
Extreme and scatt'ring bright, can love inhere.
Then as an angel, face and wings
Of air, not pure as it, yet pure doth wear,
So thy love may be my love's sphere.
Just such disparity
As is 'twixt air and angel's purity,
'Twixt women's love and men's will ever be.
Before I knew thy face or name;
So in a voice, so in a shapeless flame,
Angels affect us oft, and worshipped be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is,
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid love ask, and now
That it assume thy body I allow,
And fix itself to thy lip, eye, and brow.
Whilst thus to ballast love I thought,
And so more steadily to have gone,
With wares which would sink admiration,
I saw I had love's pinnace overfraught
Every thy hair for love to work upon
Is much too much, some fitter must be sought;
For, nor in nothing, nor in things
Extreme and scatt'ring bright, can love inhere.
Then as an angel, face and wings
Of air, not pure as it, yet pure doth wear,
So thy love may be my love's sphere.
Just such disparity
As is 'twixt air and angel's purity,
'Twixt women's love and men's will ever be.
Out of all his poems that I have recently read, this one seemingly strikes me the most. The words which John has used within this beautiful poem clearly illustrates about angels, this is something that has always fascinated me and the whole reason why I've started to look into Spiritualism within art. Especially those who have studied into Abstract Expressionism, the poem itself is so touching to me that I have shed a few tears. I recommended that others should definitely consider reading his poetry.
Inspirational technique of drawing
I used a primary image showing all the materials of the orange box as a guideline to recreating this inventory showing the exact items which have been received from dismantling the box.
Deconstructing the orange box
These primary images which were taken on my digital Sony camera show a clear process of dismantling the orange box, showing the tools that I have used which were flat ended pliers and a flat ended screwdriver. I've also shown the literal shape of the box itself arranged in an organized manner and I then started to experiment trying to recreate space through a form of an object.
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Damian and Cornelia
Damian Oretaga 1 Damian Oretaga 2 Damian Oretaga 3 Damian Oretaga 4 Cornelia Parker 1 Cornelia Parker 2 Cornelia Parker 3 ...
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These images ( by Alana ) show the process of taking the bread maker apart and all the components within the machine itself...
-
Primary image showing vigorous usage of lines, these are two drawings A2 in size which have been connected using both masking tape and con...
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Damian Oretaga 1 Damian Oretaga 2 Damian Oretaga 3 Damian Oretaga 4 Cornelia Parker 1 Cornelia Parker 2 Cornelia Parker 3 ...


















